All Bela Ivanyi-Grunwald Oil Paintings

(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
 
       VORHERIGE  1  2  3  4   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
Bela Ivanyi-Grunwald In the Valley oil painting


In the Valley
Gemälde IDENTIFIZIERUNG::  95640 		In the Valley
Date circa 1900(1900) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 150 cm (59.1 in). TTD
Date circa 1900(1900) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 150 cm (59.1 in). TTD
   
   
     
Bela Ivanyi-Grunwald Drying Clothes oil painting


Drying Clothes
Gemälde IDENTIFIZIERUNG::  95641 		Drying Clothes
Date 1903(1903) Medium oil on canvas Dimensions Height: 167 cm (65.7 in). Width: 133 cm (52.4 in). TTD
Date 1903(1903) Medium oil on canvas Dimensions Height: 167 cm (65.7 in). Width: 133 cm (52.4 in). TTD
   
   
     
Bela Ivanyi-Grunwald View of Nagybanya with Gutin oil painting


View of Nagybanya with Gutin
Gemälde IDENTIFIZIERUNG::  95642 		View of Nagybanya with Gutin
Date 1900(1900) Medium oil on canvas Dimensions Height: 90.5 cm (35.6 in). Width: 100.5 cm (39.6 in). ttd
Date 1900(1900) Medium oil on canvas Dimensions Height: 90.5 cm (35.6 in). Width: 100.5 cm (39.6 in). ttd
   
   
     
Bela Ivanyi-Grunwald Gypsy Girls by the Banks of Lapos oil painting


Gypsy Girls by the Banks of Lapos
Gemälde IDENTIFIZIERUNG::  95643 		Gypsy Girls by the Banks of Lapos
Date 1909(1909) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 115 cm (45.3 in).
Date 1909(1909) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 115 cm (45.3 in).
   
   
     
Bela Ivanyi-Grunwald Market of Kecskemet in Winter oil painting


Market of Kecskemet in Winter
Gemälde IDENTIFIZIERUNG::  95644 		Market of Kecskemet in Winter
Date 1911(1911) Medium oil on paperboard Dimensions Height: 50 cm (19.7 in). Width: 73 cm (28.7 in). ttd
Date 1911(1911) Medium oil on paperboard Dimensions Height: 50 cm (19.7 in). Width: 73 cm (28.7 in). ttd
   
   
     
       VORHERIGE  1  2  4   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Bela Ivanyi-Grunwald
     (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.

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